{"id":8901,"date":"2026-10-21T09:36:44","date_gmt":"2026-10-21T09:36:44","guid":{"rendered":"https:\/\/msuv.org\/?p=8901"},"modified":"2026-10-22T10:23:13","modified_gmt":"2026-10-22T10:23:13","slug":"kosamdesete-vise-od-slike-realna-utopija-reciklaza-umetnosti-urbani-rituali","status":"publish","type":"post","link":"https:\/\/msuv.org\/en\/kosamdesete-vise-od-slike-realna-utopija-reciklaza-umetnosti-urbani-rituali\/","title":{"rendered":"KOSAMDESETE: vi\u0161e od slike + realna utopija + recikla\u017ea umetnosti + urbani rituali"},"content":{"rendered":"
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Opening time<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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29<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Oktobar 2026. u 19h<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Museum of Contemporary Art Vojvodina, Dunavska 37, Novi Sad<\/p>

Otvaranje izlo\u017ebe:\u00a0<\/strong>\u010detvrtak, 29. oktobar u 19h<\/p>

Date of the exhibition: <\/strong>29\/10\/2026\u201314\/01\/2027<\/p><\/div><\/div>

Kustos izlo\u017ebe:\u00a0<\/strong>Branko Popovi\u0107<\/p>

Kustos MSUV:<\/strong> Vladimir Mitrovi\u0107<\/p>

Kustos kuda.org:<\/strong> Zoran Panteli\u0107<\/p>

Accompanying Program:<\/strong> Vo\u0111enja kroz izlo\u017ebu, razgovori, koncerti, performansi, projekcije, promocije knjiga, radionice za decu<\/p>

30.10.<\/strong> 18h Performans \u201eNa taj veseli dan kulture\u201c slovena\u010dkog umetnika Toma\u017ea Groma. 19h Solisti\u010dki klavirski koncert Stevana Kovacsa Tickmayera. 20h Performans \u201eFurioso\u201c(Nata\u0161a \u017divkovi\u0107, Szymon G\u0105siorek i Ilia Belorukov)<\/p>

31.10.<\/strong> 17.30h Okrugli sto povodom knjige \u201eGrani\u010dnim podru\u010djima zaboravljenih vremena\u201c Stevana Kovacsa Tickmayera. 19h Koncert dua Ilia Belorukov \u2013 Toma\u017e Grom. 20h Performans \u201eGravitacija ti\u0161ine\u201c Toma\u017ea Groma, u produkciji ljubljanskog Zavoda Sploh, uz u\u010de\u0161\u0107e Nata\u0161e \u017divkovi\u0107 i Szymona G\u0105si\u00f8reka.<\/p><\/div><\/div><\/div><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Branislav Petri\u0107 (1959) svoju umetni\u010dku praksu uspostavlja u kontekstu postmodernisti\u010dkog zaokreta 80-ih godina pro\u0161log veka obele\u017eenog brisanjem granica izme\u0111u formi i \u017eanrova, visokog i niskog, avangardnog i retro, originala i kopije. Njegovo inicijalno delovanje se vezuje za fenomen nove slike<\/em> koji je deo \u0161ireg pokreta nove umetnosti osamdesetih<\/em> u Jugoslaviji. Po\u010detkom 90-ih Petri\u0107 emigrira u Italiju i stupa u kontakt sa rimskom umetni\u010dkom scenom i tada aktuelnim neokonceptualnim i relacionim praksama. U drugoj polovini 90ih umetnik ulazi u novu kolaborativnu fazu stvarala\u0161tva kroz saradnju sa Stani\u0161om Dautovi\u0107em a koja kulminira po\u010detkom 2000ih pokretanjem postmedijskog kolektiva Happy Trash Production<\/em>.<\/p>

Izlo\u017eba \u201eKosamdesete\u201c predstavlja dva vremenski odvojena perioda u Petri\u0107evom samostalnom radu. Prvi period je podeljen u dva poluvremena. Prvo poluvreme je vezano za drugu polovinu osamdesetih godina, dok je Petri\u0107 bio jedan od klju\u010dnih aktera novosadske alternativne umetni\u010dke scene, kada ga te\u017enja da postigne vi\u0161e od slike<\/em> vodi ka skulpturi, instalaciji i performansu. Drugo poluvreme sledi nakon odlaska u Rim kada kroz seriju neokonceptualnih radova razvija ideju stambene zgrade kao dispozitiva za eksperimentisanje jednog novog hibridnog oblika zajedni\u010dkog \u017eivota i stvaranja. Drugi period Petri\u0107evog samostalnog delovanja zapo\u010dinje sredinom pro\u0161le dekade a karakteri\u0161e ga povratak slikarskom postupku kroz specifi\u010dan proces recikla\u017ee i miksanja kako sopstvene umetni\u010dke produkcije iz 80-ih godina tako i starih fotografija, nov\u010danica\u00a0 i slika prona\u0111enih po buvljim pijacama. \u00a0Dok su radovi iz prvog ranog perioda u svoje vreme bili \u010desto izlagani u zemlji i inostranstvu, radovi iz aktuelne zrele faze se ovom izlo\u017ebom prvi put predstavljaju \u0161iroj publici.\u00a0\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Branislav Petri\u0107: bez naslova (1987) Foto: Jovan Milinov<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Izlo\u017eba \u201eKosamdesete\u201c artikuli\u0161e se kroz \u010detiri tematska segmenta (Vi\u0161e od slike, Realna utopija, Recikla\u017ea umetnosti, Urbani rituali<\/em>) koji zauzimaju razli\u010dite nivoe i prostore Muzeja od kojih se neki po prvi put aktiviraju za izlaganje. Postavljena od suterena do krova izlo\u017eba odra\u017eava prostornu organizaciju stambene zgrade<\/em> koja se provla\u010di kao centralni vizuelni i simboli\u010dki motiv kroz celokupno Petri\u0107evo stvarala\u0161tvo.\u00a0\u00a0\u00a0<\/p>

Poseban deo segmenta Urbani rituali<\/em> koji sadr\u017ei prate\u0107e programe izlo\u017ebe \u010dini instalacija \u201eNovi Sad<\/em> – Lost&Found – Grafi\u010dki prikaz vremenske putanje Kosamdesetih\u201c <\/em>u produkciji kuda.org. Kroz grafi\u010dki prikaz vremenskog protoka po godinama \u201eLost&Found\u201c prikazuje doga\u0111aje, mesta i protagoniste novosadske alternativne scene 80ih i posetiocima omogu\u0107ava da sagledaju specifi\u010dni kulturni kontekst u kom Petri\u0107 zapo\u010dinje svoju umetni\u010dku praksu.<\/p>

Prate\u0107i programi se odvijaju vikendima tokom trajanja izlo\u017ebe.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tRad 10 _ 1991_foto \u017deljko Mandi\u0107\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tpunk _ 2020_foto \u017deljko Mandi\u0107\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tPalazzo sacro 2 _ 1994_foto \u017deljko Mandi\u0107\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tArtcoin _ 2023_foto \u017deljko Mandi\u0107\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t32 slike za 32 sata _ 1990_foto \u017deljko Mandi\u0107\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tbez naslova _ 2022\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

Izlo\u017eba \u201eKosamdesete\u201c artikuli\u0161e se kroz \u010detiri tematska segmenta (Vi\u0161e od slike, Realna utopija, Recikla\u017ea umetnosti, Urbani rituali) koji zauzimaju razli\u010dite nivoe i prostore Muzeja od kojih se neki po prvi put aktiviraju za izlaganje.<\/p>","protected":false},"author":9,"featured_media":8900,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14],"tags":[],"class_list":["post-8901","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-najava"],"yoast_head":"\nKOSAMDESETE: vi\u0161e od slike + realna utopija + recikla\u017ea umetnosti + urbani rituali - Muzej savremene umetnosti Vojvodine<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/msuv.org\/en\/kosamdesete-vise-od-slike-realna-utopija-reciklaza-umetnosti-urbani-rituali\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"KOSAMDESETE: vi\u0161e od slike + realna utopija + recikla\u017ea umetnosti + urbani rituali - 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