{"id":8612,"date":"2025-12-15T09:55:01","date_gmt":"2025-12-15T09:55:01","guid":{"rendered":"https:\/\/msuv.org\/?p=8612"},"modified":"2026-03-05T09:27:21","modified_gmt":"2026-03-05T09:27:21","slug":"intermediaart_intermedijska-i-digitalna-umetnost","status":"publish","type":"post","link":"https:\/\/msuv.org\/en\/intermediaart_intermedijska-i-digitalna-umetnost\/","title":{"rendered":"InterMediaArt_intermedijska i digitalna umetnost"},"content":{"rendered":"
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Opening time<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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30<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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December 2025.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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InterMediaArt_intermedijska i digitalna umetnost<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Museum of Contemporary Art Vojvodina, Dunavska 37, Novi Sad<\/p>

Date of the exhibition: <\/strong>30\/12\/2025 – 1\/3\/2026.<\/p><\/div><\/div>

Curator<\/b>: dr Sanja Koji\u0107 Mladenov, muzejska savetnica<\/p>

Accompanying Program:<\/strong><\/p>

\u010cetvrtak, 15. januar 2026. u 18h – autora Slavena Tolja i Dragana Vojvodi\u0107a<\/p><\/div><\/div><\/div><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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The development of new media has led to a series of changes in the contemporary art scene related to the presentation of exhibitions and events. The changes within the artistic language itself initiated research into ways of collecting, archiving and protecting (new) media works of art. The question arises as to how contemporary art museums have responded to new challenges when it comes to collection development with the inclusion of media practices.<\/p>

The \u201cInterMedaArt\u201d project deals with the research, collection and presentation of the previous work of the Centre for Intermedia and Digital Art MSUV, its collection of artworks and public activities (exhibitions, presentations, publications, guest appearances, etc.). The goal is to highlight the changes in museum art practice, as well as the possibility of active application of new solutions.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Rena Redle i Vladan Jeremi\u0107, Deaf Shoes, 2018.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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The results of the work will show examples and scope of collecting contemporary intermedia and digital works of art, with the use of art documentation. It is a project that can be seen as a specific platform for expressing different views and pointing out the challenges that the artists who deal with intermedia and digital art face.<\/p>

The Centre for Intermedia and Digital Art was formed in 2013 with the aim of mapping, systematic study, collection, protection and presentation of intermedia practices and digital culture, such as: computer, net and web art, virtual reality art, video games, 3D animation, bioart, device art (DIY and DIWO practices), media installations, sound art, action, intervention, art in public space and performative forms of art (performance, body art, paratheatre...).<\/p>

This exhibition continues a new cycle of presenting the collection of the Museum of Contemporary Art of Vojvodina, launched to mark its 60th anniversary.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Artists and artistic groups:<\/p>

Association APSOLUTNO, Mr\u0111an Baji\u0107, Centar za nove medije_kuda.org, diSTRUKTURA, F.A.C.K. platform (Nhandan Chirco \/ Branko Popovi\u0107), Ivana Ivkovi\u0107, Margareta Jeli\u0107, Vladan Joler, Stevan Koji\u0107, Oleg Kulik, Pyotr Pavlensky, Vessna Perunovich, Bogdanka Poznanovi\u0107, Marica Radoj\u010di\u0107, Rena R\u00e4dle & Vladan Jeremi\u0107, Predrag \u0160i\u0111anin, Lidija Srebotnjak Pri\u0161i\u0107, Sa\u0161a Stojanovi\u0107, Slobodanka Stupar, Nata\u0161a Teofilovi\u0107, Andrej Ti\u0161ma, Zoran Todorovi\u0107, Dragoljub Ra\u0161a Todosijevi\u0107, Selman Trtovac, Dragan Vojvodi\u0107, Anica Vu\u010deti\u0107\u2026<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tVLADAN JOLER, KATE CRAWFORD, ai-anatomy-map, AI Now Institute i Share Lab, 2018. \t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tVLADAN JOLER, KATE CRAWFORD, ai-anatomy-map, AI Now Institute i Share Lab, 2018.\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tAnica VU\u010cETI\u0106, Sa druge strane, 2015\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tAnica VU\u010cETI\u0106, Sa druge strane, 2015\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tStevan KOJI\u0106, Samoodr\u017eivi sistem apsurda\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tStevan KOJI\u0106, Samoodr\u017eivi sistem apsurda\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tZoran TODOROVI\u0106, Toplina I i II\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tZoran TODOROVI\u0106, Toplina I i II\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tNata\u0161a TEOFILOVI\u0106, s.h.e 2006.\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tNata\u0161a TEOFILOVI\u0106, s.h.e 2006.\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tVesna PERUNOVI\u0106 (Vessna Perunovich), (W)hole, House of Exile\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tVesna PERUNOVI\u0106 (Vessna Perunovich), (W)hole, House of Exile\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Patronage<\/p>

Provincial Secretariat for Culture, Public Information and Relations with Religious Communities<\/p>

Support: City of Novi Sad<\/p>

\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

Razvoj novih medija doveo je do niza promena na savremenoj umetni\u010dkoj sceni u vezi sa prezentacijom izlo\u017ebi i doga\u0111aja. Promene unutar samog umetni\u010dkog jezika pokrenule su istra\u017eivanje na\u010dina kolekcioniranja, arhiviranja i za\u0161tite (novo)medijskih umetni\u010dkih dela<\/p>","protected":false},"author":11,"featured_media":8640,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[15],"tags":[],"class_list":["post-8612","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arhiva"],"yoast_head":"\nInterMediaArt_intermedijska i digitalna umetnost - Muzej savremene umetnosti Vojvodine<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/msuv.org\/en\/intermediaart_intermedijska-i-digitalna-umetnost\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"InterMediaArt_intermedijska i digitalna umetnost - Muzej savremene umetnosti Vojvodine\" \/>\n<meta property=\"og:description\" content=\"Razvoj novih medija doveo je do niza promena na savremenoj umetni\u010dkoj sceni u vezi sa prezentacijom izlo\u017ebi i doga\u0111aja. 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