{"id":8291,"date":"2025-08-19T09:19:27","date_gmt":"2025-08-19T09:19:27","guid":{"rendered":"https:\/\/msuv.org\/?p=8291"},"modified":"2025-11-05T08:52:17","modified_gmt":"2025-11-05T08:52:17","slug":"vreme-jede-pogled","status":"publish","type":"post","link":"https:\/\/msuv.org\/en\/vreme-jede-pogled\/","title":{"rendered":"Vreme jede pogled"},"content":{"rendered":"
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Opening time<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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06<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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September 2025.\u00a0\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Time Consumes All Views \u2013 A Selection from the Painting Collection of the Museum of Contemporary Art of Vojvodina<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Museum of Contemporary Art Vojvodina, Dunavska 37, Novi Sad<\/p>

Date of the exhibition: <\/strong>06\/09\/2025\u201331\/10\/2025.<\/p><\/div><\/div>

Curator<\/b>: Jovana Trifuljesko<\/p>

Accompanying Program:<\/strong><\/p>

Kustosko vo\u0111enje kroz izlo\u017ebu\u00a0 – \u010detvrtak, 16. oktobar u 18h<\/p>

Konzervatorski sat: utorkom 12 – 17h (9.9. 16.9. 30.9.\u00a0 14.10.\u00a0 21.10.)
Konzervatorski sat na ruskom jeziku: 18.9. 17h
Konzervatorsko vo\u0111enje kroz izlo\u017ebu – utorak, 28.10. u 18h<\/p>

Klub knjige – \u010detvrtak, 23. oktobar u 18h ( Formular za prijave<\/span><\/a>)<\/p>

Radionice za decu: 26.9. u 17h
Petak 24. oktobar u 17h(Formular za prijave<\/span><\/a>)<\/p><\/div><\/div><\/div><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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The exhibition \u201eTime Consumes All Views \u2013 A Selection from the Painting Collection of the Museum of Contemporary Art of Vojvodina\" features over one hundred works dating from the 1940s to the present day. Spatially conceived as a kind of storage or depot, the exhibition primarily showcases works by artists from Vojvodina, created in a variety of media, styles and techniques, ranging from oil on canvas to painterly objects. The exhibition traces and presents the developments within the collection, with the most represented works coming from the 1960s, 70s, and 80s, while also including pieces from the 1990s and early 2000s.<\/p>

\u00a0<\/p>

The title of the exhibition alludes to the communication between the past and the present. \"Time Consumes All Views\" illustratively represents the interconnectedness of the terms past, present, and future, which are inseparable from museum collections that encapsulate the multi-temporal dimension of preserving the past and the present for the future. Each time that the works from the collection are presented to the public, the historical circumstances, social structures, and artistic tastes of that moment color the interpretation of the pieces, so that, colloquially speaking, the \"view\" of the previous moment is \"consumed.\" Keeping this in mind, the modern and contemporary art presented in the collection has the purpose of strengthening the viewer's sense of the present as a time of observation, thus placing the emphasis in the title on the word view. By revitalizing museum processes through conservation and various programs, as well as the labyrinthine structure of the display that predisposes the movement of visitors, the exhibition encourages active viewing as a practice and it draws on Walter Benjamin's proposition about the image of the past, which threatens to disappear with every present that fails to recognize itself within it.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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ABS, Pikture, 2009 Foto: MSUV arhiva<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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The exhibition is not intended to provide an absolute chronological overview of Vojvodina's painting within the collection. In addition to the paintings, it also features posters of previous exhibitions at the Museum of Contemporary Art of Vojvodina, as well as various museum procedures necessary for research, preservation, and display of its works. In the absence of a permanent display, this exhibition represents a starting point for exploring the museum's collection, a process of dialogue with the public and recognition. For this reason, its architecture follows a de-hierarchized form of a depot.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tJo\u017eef A\u010d, Oranica i nebo, 1983.\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tJo\u017eef A\u010d, Oranica i nebo, 1983.\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tBogomil Karlavaris, Diskont, 1997.\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tBogomil Karlavaris, Diskont, 1997.\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tVlado Martek, Pazi o\u0161tar kartograf, 2005.\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tVlado Martek, Pazi o\u0161tar kartograf, 2005.\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tDragan Rakic, Ciklus Kru\u017eno-kvadratno raspe\u0107e, 1990-1991.\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tDragan Rakic, Ciklus Kru\u017eno-kvadratno raspe\u0107e, 1990-1991.\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

Izbor iz zbirke slikarstva Muzeja savremene umetnosti Vojvodine, izlo\u017eba prostorno koncipirana u vidu depoa, obuhvata preko stotinu radova koji datiraju od \u010detrdesetih godina pro\u0161log veka do danas.<\/p>","protected":false},"author":11,"featured_media":8293,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[15],"tags":[],"class_list":["post-8291","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arhiva"],"yoast_head":"\nVreme jede pogled - Muzej savremene umetnosti Vojvodine<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/msuv.org\/en\/vreme-jede-pogled\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Vreme jede pogled - Muzej savremene umetnosti Vojvodine\" \/>\n<meta property=\"og:description\" content=\"Izbor iz zbirke slikarstva Muzeja savremene umetnosti Vojvodine, izlo\u017eba prostorno koncipirana u vidu depoa, obuhvata preko stotinu radova koji datiraju od \u010detrdesetih godina pro\u0161log veka do danas.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/msuv.org\/en\/vreme-jede-pogled\/\" \/>\n<meta property=\"og:site_name\" content=\"Muzej savremene umetnosti Vojvodine\" \/>\n<meta property=\"article:published_time\" content=\"2025-08-19T09:19:27+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-11-05T08:52:17+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/msuv.org\/wp-content\/uploads\/2025\/08\/Index_1920x1080_VJP-scaled.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2560\" \/>\n\t<meta property=\"og:image:height\" content=\"1440\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"PR\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"PR\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/msuv.org\\\/vreme-jede-pogled\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/msuv.org\\\/vreme-jede-pogled\\\/\"},\"author\":{\"name\":\"PR\",\"@id\":\"https:\\\/\\\/msuv.org\\\/#\\\/schema\\\/person\\\/dc0040e5a91777865ee32d8e23108ff1\"},\"headline\":\"Vreme jede pogled\",\"datePublished\":\"2025-08-19T09:19:27+00:00\",\"dateModified\":\"2025-11-05T08:52:17+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/msuv.org\\\/vreme-jede-pogled\\\/\"},\"wordCount\":466,\"publisher\":{\"@id\":\"https:\\\/\\\/msuv.org\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/msuv.org\\\/vreme-jede-pogled\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/msuv.org\\\/wp-content\\\/uploads\\\/2025\\\/08\\\/Index_1920x1080_VJP-scaled.jpg\",\"articleSection\":[\"Arhiva\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/msuv.org\\\/vreme-jede-pogled\\\/\",\"url\":\"https:\\\/\\\/msuv.org\\\/vreme-jede-pogled\\\/\",\"name\":\"Vreme jede pogled - 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