{"id":6596,"date":"2024-06-17T07:51:13","date_gmt":"2024-06-17T07:51:13","guid":{"rendered":"https:\/\/msuv.org\/?page_id=6596"},"modified":"2024-06-17T08:23:58","modified_gmt":"2024-06-17T08:23:58","slug":"zbirka-intermedijske-i-digitalne-umetnosti","status":"publish","type":"page","link":"https:\/\/msuv.org\/en\/zbirka-intermedijske-i-digitalne-umetnosti\/","title":{"rendered":"Collection of Intermedial and Digital Art"},"content":{"rendered":"
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Collection of Intermedial and Digital Art<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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The development of new media, media and post-media practices, as well as interdisciplinary and digital culture, has led to a series of changes on the contemporary art scene in terms of the presentation of exhibitions and events. Changes within the artistic language itself have initiated research into ways of collecting, archiving and protecting (new) media artworks. The question arises as to how museums of contemporary art have responded to new challenges when it comes to the development of the collection and the inclusion of media practices, such as: computer, net and web art, virtual reality art, video games, 3D animations, bioart, virgin art (DIY and DIWO practice), media installations, sound art, actions, interventions, art in public space and performative forms of art (performance, body art, paratheatre...).<\/span><\/p>

The collection of intermediate and digital art was formed through a joint museum platform of introducing interdisciplinary approaches and methods, with the aim of research, mapping, historicization and presentation of intermediate practices and digital culture. In addition to collecting works of art and collecting archives of art documentation, the Collection (formerly the Center) included a wide range of activities, such as: exhibitions, presentations, film screenings, discussions, workshops, etc. Which include collaborators and institutions from the domestic and international context. The aim of the Collection is to indicate the appreciation of changes in artistic and social practice by museum institutions, as well as the possibility of active application of new solutions. The practice of editing with digital content, the possibility of re-realization of the work and its post-production (printing, performance, assembly, presentation, etc.), the purchase of the author's conceptual instructions for the realization of the artistic work, the parallel existence of the artwork online as a publicly available asset, archiving was introduced. documentation of temporary artistic work, its performance, etc. In the Museum's practice, it is therefore noticeable that the Collection's activity takes place mainly through exhibitions and public events, online presentations of works of art, art documentation and archives of artist interviews, which regularly achieves communication and interaction with the public.<\/span><\/p>

The first results of the work are international projects and exhibitions, among which stand out: Collection of media practice MSUV, WonderLab, RISK CHANGE, Milky Way, Feminist vanguard \u2012 On the road to freedom, and publications: Bogdanka Pozanovi\u0107: Contact Art, Skok i zaron. The identity of female artists in the field of new media and Feminism and visual art, authored by Dr. Sanja Koji\u0107 Mladenov. The artists and art groups present in the collection are: Igor Anti\u0107, Association ABSOLUTNO, Mr\u0111an Baji\u0107, Zorica \u010coli\u0107, Margareta Jeli\u0107, Vladan Joler, Gordana Kaljalovi\u0107 \/ \u0110or\u0111e Odanovi\u0107, Stevan Koji\u0107, MP_Art (Maja Bud\u017earov and Predrag \u0160idjanin), Ana Nedeljkovi\u0107, Vesna Perunovi\u0107, Branislav Petri\u0107 \/ Stani\u0161a Dautovi\u0107, Darinka Pop Miti\u0107, Bogdanka Poznanovi\u0107, Ppgrupa (Katarina \u0160evi\u0107 \/ Zota Majoro\u0161), Mileta Prodanovi\u0107, Marica Radoj\u010di\u0107, Predrag \u0160idjanin, Lidija Srebotnjak Pri\u0161i\u0107, Slobodanka Stupar, Nata\u0161a Teofilovi\u0107, Andrej Ti\u0161ma, Isidora Todorovi\u0107, Zoran Todorovi\u0107, Vacuumpack, Dragan Vojvodi\u0107 and Anica Vuceti\u0107.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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The Absolute Sale<\/h3>

Asocijacija APSOLUTNO<\/p><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Multi Consumer Trauma Experience<\/h3>

Vladan JOLER, MCTE<\/p><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\"Samoodr\u017eivi\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Samoodr\u017eivi sistem apsurda<\/h3>

Stevan K\u043eji\u0107<\/p><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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The Aspects of Gaia<\/h3>

Predrag \u0160i\u0111anin<\/p><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Electronic Art in Serbia<\/h3>

Andrej Ti\u0161ma<\/p><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Toplina I i II<\/h3>

Zoran Todorivi\u0107<\/p><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Izdaleka izbliza<\/h3>

Lidija Srebotinjak Pri\u0161i\u0107<\/p><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Tekst tekst tekst<\/h3>

Marica Radoi\u010di\u0107<\/p><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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s.h.e.<\/h3>

Nata\u0161a Teofilovi\u0107<\/p><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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(W)hole, House of Exile<\/h3>

Vesna Perunovi\u0107 (Vessna\nPerunovich)<\/p><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Sa druge strane<\/h3>

Anica Vu\u010deti\u0107<\/p><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\"YUGOMUZEJ,\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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YUGOMUZEJ<\/h3>

Mr\u0111an Baji\u0107<\/p><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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OT<\/h3>

Slobodanka Stupar<\/p><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\"Neprilago\u0111eni\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Neprilago\u0111eni (MISFITS)<\/h3>

Dragan Vojvodi\u0107<\/p><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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343<\/h3>

Mileta Prodanovi\u0107<\/p><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Gluve cipele<\/h3>

Rene Redle i Vladan Jeremi\u0107<\/p><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

Zbirka intermedijske i digitalne umetnosti Razvoj novih medija, medijske i postmedijske prakse, kao i interdisciplinarne i digitalne kulture, doveo je do niza promena na savremenoj umetni\u010dkoj sceni u pogledu prezentacije izlo\u017ebi i doga\u0111aja. Promene unutar samog umetni\u010dkog jezika pokrenule su istra\u017eivanje na\u010dina kolekcioniranja, arhiviranja i za\u0161tite (novo)medijskih umetni\u010dkih dela. Postavlja se pitanje na koji na\u010din […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"footnotes":""},"class_list":["post-6596","page","type-page","status-publish","hentry"],"yoast_head":"\nZbirka intermedijske i digitalne umetnosti - Muzej savremene umetnosti Vojvodine<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/msuv.org\/en\/zbirka-intermedijske-i-digitalne-umetnosti\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Zbirka intermedijske i digitalne umetnosti - Muzej savremene umetnosti Vojvodine\" \/>\n<meta property=\"og:description\" content=\"Zbirka intermedijske i digitalne umetnosti Razvoj novih medija, medijske i postmedijske prakse, kao i interdisciplinarne i digitalne kulture, doveo je do niza promena na savremenoj umetni\u010dkoj sceni u pogledu prezentacije izlo\u017ebi i doga\u0111aja. Promene unutar samog umetni\u010dkog jezika pokrenule su istra\u017eivanje na\u010dina kolekcioniranja, arhiviranja i za\u0161tite (novo)medijskih umetni\u010dkih dela. 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