MSUV https://msuv.org Official site Tue, 27 Jul 2021 09:25:45 +0000 en-US hourly 1 https://wordpress.org/?v=5.8 Zoran Janjetov: Antibody https://msuv.org/en/2021/07/27/zoran-janjetov-antibody/ Tue, 27 Jul 2021 09:22:13 +0000 http://msuv.org/?p=70645 Zoran Janjetov: Antibody … PUBLICATION Zoran Janjetov: Antibody Works 1979-2021 Published by: Museum of Contemporary Art Vojvodina 21000 Novi Sad, Dunavska 37 Executive Publisher: Branislava Sekulić Editor: Vladimir Mitrović Texts by: Vladimir Mitrović, Alejandro Jodorowsky, Ilija Bakić, Momčilo Rajin, Zoran Đukanović, Zoran Stefanović Translation: Nikolina Nedeljkov, Ivana Krgović Proof reading: Silvija Čamber Design: Zoran Janjetov, […]

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Zoran Janjetov: Antibody … PUBLICATION

Zoran Janjetov: Antibody

Works 1979-2021

Published by: Museum of Contemporary Art Vojvodina 21000 Novi Sad, Dunavska 37

Executive Publisher: Branislava Sekulić

Editor: Vladimir Mitrović

Texts by: Vladimir Mitrović, Alejandro Jodorowsky, Ilija Bakić, Momčilo Rajin, Zoran Đukanović, Zoran Stefanović

Translation: Nikolina Nedeljkov, Ivana Krgović

Proof reading: Silvija Čamber

Design: Zoran Janjetov, Mirjana Dušić

Print: SP print, Novi Sad

Print run: 300

ISBN 978-86-6333-069-6

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Transformatorium | Rena Raedle & Vladan Jeremic https://msuv.org/en/2021/04/29/transformatorium-rena-raedle-vladan-jeremic/ Thu, 29 Apr 2021 07:58:27 +0000 http://msuv.org/?p=69715 Opening 04  June 2021. at 7 p.m. Gallery N: The Museum of Contemporary Art Vojvodina Duration: June 04 – July 24, 2021. Curator: Maja Ciric From June 4 until July 4 2021, Rena Raedle & Vladan Jeremic’s exhibition titled “Transformatorium” will be on display in the Museum of Contemporary Art of Vojvodina in Novi Sad. […]

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Opening

04 

June 2021. at 7 p.m.

Gallery N: The Museum of Contemporary Art Vojvodina

Duration: June 04 – July 24, 2021.

Curator: Maja Ciric

From June 4 until July 4 2021, Rena Raedle & Vladan Jeremic’s exhibition titled “Transformatorium” will be on display in the Museum of Contemporary Art of Vojvodina in Novi Sad. The curator of the exhibition is Maja Ciric.

The exhibition is articulated in three units and presents artistic interventions and research conducted by the artists within the last seven years to the public. The first room contains documentary materials from their interventions in Norway, Croatia, Albania, Serbia, North Macedonia, Austria and Estonia, while the second room hosts a collection of the transformative tools, props and objects that served the artists in their exploration of the ‘use value’ of art. The installation of drawings and specially designed benches in the public park between the Museum of Vojvodina and MSUV adds a third aspect of their work to this show.

A publication with texts by Maja Ciric, Corina L. Apostol and Rena Raedle will be issued, containing a record of works with descriptions.

In times of multiple crisis, with the conditions of everyday reality fundamentally changing, Rena Raedle and Vladan Jeremic expose the contradictions of their own practice to the public and propose a radical model for (self)evaluation: Do their artistic practice succeed in moving beyond the aesthetic, having a lasting effect on non-artistic surroundings? By means of this line of questioning, the public is invited to assess the potential of each work. With their dose of satirical humor, Rena and Vladan do not refrain from the assumption that our world can be changed.

Rena Raedle & Vladan Jeremic are Belgrade-based artists whose research-oriented work comprises installations and artistic interventions in public space. In their collaborative practice, Rena & Vladan explore the relation between art and politics, unveiling the contradictions of today’s societies. They use techniques that are easy to reproduce and distribute such as drawing and prints, and simple materials such as textile, cardboard and wood, and they insist on their artistic production’s use value and social & ecological awareness. They develop the transformative potentials of art in the context of social struggles and in collaboration with social movements. They have recently exhibited at Brooklyn Museum, New York; Creative Time Summit, Miami; Museum of Contemporary Art Metelkova, Ljubljana; Moscow Museum of Modern Art; Museum of Contemporary Art, Skopje; Galleria del Progetto, Milano; Intercultural museum, Oslo; 56th October Salon, Belgrade; EKKM, Tallinn; Autostrada Biennale, Prizren; Politics of Dissonance in the framework of Manifesta 12, Palermo; < rotor >, Graz; Borey Art Center, St. Petersburg and the Museum of Yugoslavia, Belgrade. The official website of the artists: http://raedle-jeremic.net/

A publication with texts by Maja Ciric, Corina L. Apostol and Rena Raedle will be issued, containing a record of works with descriptions.

 

The program will be organized in compliance with current safety and distancing measures.

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MISSING STORIES. Forced Labour under Nazi Occupation. An Artistic Approach https://msuv.org/en/2021/03/11/missing-stories-forced-labour-under-nazi-occupation-an-artistic-approach/ Thu, 11 Mar 2021 11:59:25 +0000 http://msuv.org/?p=68327 Opening 11 March 2021 at 7 p.m. Gallery N and S: The Museum of Contemporary Art Vojvodina Duration: March 11th – April 30th 2021. “MISSING STORIES. Forced Labour under Nazi Occupation. An Artistic Approach” is a joint artistic project initiated by the Goethe-Institut in Serbia with the support of the EVZ foundation. Five curators (Thomas Elsen, […]

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Opening

11

March 2021 at 7 p.m.

Gallery N and S: The Museum of Contemporary Art Vojvodina

Duration: March 11th – April 30th 2021.

“MISSING STORIES. Forced Labour under Nazi Occupation. An Artistic Approach” is a joint artistic project initiated by the Goethe-Institut in Serbia with the support of the EVZ foundation. Five curators (Thomas Elsen, PhD – The Art Collections and Museums of Augsburg: H2 – The Centre for Contemporary Art, Augsburg, Sanja Kojić Mladenov, PhD – The Museum of Contemporary Art Vojvodina, Novi Sad, Una Popović – The Museum of Contemporary Art, Belgrade, Adela Demetja – Tirana Art Lab, Tirana, Natalija Vujošević – Institute for Contemporary Art, Cetinje) carefully selected ten artists from Serbia, Montenegro, Albania and Germany to join the project and to deal artistically with its main theme – forced labour in the Third Reich.

The topic of forced labour during the German occupation of the Balkans is seldom tackled in collective memory – the relevant documentation is scant, public events or debates dealing with the topic are rare, and this sad chapter of European history is left out in history classes and textbooks. On the other hand, numerous families remember the fate of their ancestors who were engaged in forced labour in Nazi Germany during the occupation, be it in factories, labour camps or agricultural work. Owing to this, the destinies of the forced labourers are also present in the individual memories of the current generation, with artists and intellectuals approaching them in a special way.

The artists participating in the project are: Burkhard Schittny (Germany), Christian Hörl (Germany), Aleksandar Zograf (Serbia), Milorad Mladenović (Serbia), diSTRUKTURA (Serbia), Dragan Vojvodić (Serbia), Ivan Salatić (Montenegro), Lenka Đorojević (Montenegro), Donika Çina (Albania) and Remijon Pronja (Albania). They are joined in Novi Sad by Lea Vidaković and Selman Trtovac, from Serbia.
The editor of the catalogue for the “Missing Stories” project is a famous German author Tanja Dückers.
Their works have been created through the use of different media – from photography, through paintings to audio-visual installations. The inspiration for the works of some of the artists partaking in the project stems from the experiences of their own ancestors who were engaged in forced labour in the period of the Nazi occupation.
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The aforementioned art pieces will be exhibited as part of the “Missing Stories” tour exhibition in the origin countries of the artists – Serbia (Belgrade and Novi Sad), Albania (Tirana), Montenegro (Podgorica) and Germany (Berlin and Augsburg).

For more information visit: missingstories.net

www.goethe.de/serbien/missingstories

Facebook: Missingstories2020
Instagram: missingstories2020
Twitter: missing_stories
Goethe-Institut: www.goethe.de/belgrad
EVZ: https://www.stiftung-evz.de/

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Nenad Šoškić: TRANSFORMATION https://msuv.org/en/2020/09/15/nenad-soskic-transformation/ Tue, 15 Sep 2020 11:32:04 +0000 http://msuv.org/?p=59697 Opening 30 September 2020. at 7 p.m. Gallery S: The Museum of Contemporary Art Vojvodina Duration: September 30 – October 24, 2020. Curator: Sanja Kojić Mladenov Nenad Šoškić, a sculptor by art education, is focused on researching the border forms of this visual medium and acting in the expanded field of spatial installations and ambiences medium, with […]

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Opening

30

September 2020. at 7 p.m.

Gallery S: The Museum of Contemporary Art Vojvodina

Duration: September 30 – October 24, 2020.

Curator: Sanja Kojić Mladenov

Nenad Šoškić, a sculptor by art education, is focused on researching the border forms of this visual medium and acting in the expanded field of spatial installations and ambiences medium, with the introduction of contextuality and the dialogue with current social topics and relations, especially the mass-media, information and news.

Developing a concept with a standpoint in the analysis and questioning of the role of mass media culture today, the speed of information flow, their non-selective placement and consumeristic evaluation, he opens up a number of questions about modern society and the way it functions. He first developed a series of works dedicated to this topic in USA, at the MANA Gallery in New York, organized by ‘‘Mana Contemporary‘‘, and then at the prestigious manifestation ‘‘Art Basel‘‘ in Miami, with an exhibition titled ‘‘Transformation‘‘. Inspired to research the socio-political and cultural role that the everyday news, their frequency and, at the same time, their transiency have in the United States, he, then, continues with a series of single works and solo exhibitions in Montenegro, the space of his personal environment, as well as in the region (Novi Sad, Sarajevo, Zagreb, etc.)

Nenad Šoškić  © All rights belong to the artist.

He conceives the exhibition in Novi Sad as a site-specific installation composed of three segments which complement each other, thus creating a conceptually unique setting. The individual elements of the art work lead an active dialogue with the space of the exhibition, changing the expected relation of the rooms and the usual way of moving of the visitors through it, including them actively in communication and interaction with the changed ambience. This specific relation between the audience and the work of art is an important segment of contemporary art practice which emphasizes the importance of hypermedia, i.e. communication, contact, transfer, transmission, reception and connection between the visitor and the art work through perceptual experiences that exceed the basic visual experience through other sensory cognitions.

The presentation will be realized within the scope of the international project Risk Change supported by the European Union program Creative Europe and the Provincial Secretariat for Culture, Public Information and Relations with Religious Communities.

As the exhibition space of the Gallery S of the Museum of Contemporary Art of Vojvodina has a geometric form of a meander at its base and requires a specific zig-zag movement within three, somewhat separate spatial units, the author posed the question of possible ways of communication within it, exploring what is typical and expected, and what would be the challenge, interruption and obstacle in it, the necessary change that would open new paths and situations.

With his concept Transformation, he continued to develop artistic practice based on the application of aspects from his own social environment, autobiographical construct and current socio-political discourse, using the universally understandable language of contemporary art, using fragmentation, repetition and reduction of aesthetic expression.

The prescribed protection measures due to the pandemic caused by COVID-19 are being implemented in the MoCAV, so it is obligatory to wear protective masks, and a maximum of 30 people are allowed to stay at the same time.

Nenad Šoškić was born in 1970 in Bar, Montenegro. He graduated from the Faculty of Fine Arts in Cetinje in 1994, and completed his postgraduate studies in 1996 at the Faculty of Fine Arts in Belgrade, Serbia. He is a professor at the study programme Sculpture, Faculty of Fine Arts in Cetinje. From 2008 – 2014 he was the dean of the Faculty of Fine Arts in Cetinje. From 2014 he has held the position of business director of the Centre of Contemporary Art of Montenegro in Podgorica.

He started his artistic activity by participating in the important visual events, such as:  Youth Biennale, Vršac (1994), The Cetinje Biennale, Cetinje (1994, 1997), Sculpture Triennial, Pančevo (1997), as well as exhibitions at the art institutions of the former Yugoslavia. He is a participant of many exhibitions of contemporary art of Montenegro held abroad and, in recent years, he has done significant art projects in the USA and Italy. Several of his sculptures are displayed in the public spaces in Montenegro. He is

the winner of the Montenegro Academy of Science and Art Award (2004), Milunović – Stijović – Lubarda Award, the Award of the Traditional Exhibition of ULUCG, Podgorica (2000), etc.

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DRAWN (OVER) https://msuv.org/en/2018/06/20/drawn-over/ https://msuv.org/en/2018/06/20/drawn-over/#respond Wed, 20 Jun 2018 14:02:10 +0000 http://msuv.org/2018/06/05/drawn-over/   Exhibition opening 15 Jun 15, 2018 at 8:00pm Exhibition opening: Friday, Jun 15, 2018 at 8:00pm Artists: Yasi Alipour, David Altmejd, Natalie Birinyi, Cecily Brown, Phong Bui, Ernesto Caivano, Nathan Catlin, Saint Clair Cemin, Aurélien Couput, Predrag Dimitrijević, Jelena Đurić, Rafael Domenech, Riaki Enyama, Ghada Amer and Reza Farkhondeh, Fab Five Freddy, Ivan Forde, […]

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Exhibition opening

15

Jun 15, 2018 at 8:00pm

Exhibition opening: Friday, Jun 15, 2018 at 8:00pm

Artists: Yasi Alipour, David Altmejd, Natalie Birinyi, Cecily Brown, Phong Bui, Ernesto Caivano, Nathan Catlin, Saint Clair Cemin, Aurélien Couput, Predrag Dimitrijević, Jelena Đurić, Rafael Domenech, Riaki Enyama, Ghada Amer and Reza Farkhondeh, Fab Five Freddy, Ivan Forde, Barnaby Furnas, Gandalf Gavan, Eric Guerrero, Ben Hagari, Valerie Hammond, Suzanne Herrera, Duy Hoàng, Cary Hulbert, Jasper Johns, Goran Jureša, Kurt Kemp, William Kentridge, Hedya Klein, Susanna Koetter, Nataša Kokić, Fred H.C. Liang, Kate Liebman, Nicola López, Tijana Luković, Marko Marković, Nikola Marković, Bryan McGovern Wilson, Nora Mesaroš, Dante Migone-Ojeda, Johana Moscoso, LeRoy Neiman, Brian Novatny, Jennifer Nuss, Norman Paris, Mark Perlman, Eva Petrič, Kristin Plucar, Nemanja i Vladimir Radusinović, Jessica Segall, Monika Sigeti, Shahzia Sikander, Luis Silva, Dana Sherwood, Dasha Shishkin, Kiki Smith, Dragana B. Stevanović, Emma Sulkowicz, Sarah Sze, TARWUK, Rirkrit Tiravanija, Tomas Vu, John Walker, Kara Walker, Heimo Wallner, Tommy White, Peter Wayne Lewis  and Yuan Zuo

Curators: Tomas Vu, Mirjana Dušić-Lazić

Production: Muzej savremene umetnosti Vojvodine

In association with: LeRoy Neiman Center for Print Studies, Columbia University of the Arts

Support: United States Embassy Serbia

In cooperation with the Museum of Contemporary Art of Vojvodina in Novi Sad, Serbia, The exhibition DRAWN (OVER) brings together the private sketches and drawings of seventy artists from around the world in an exhibition that provides a rare, revealing look into the drawing process and artists’ innermost thoughts.

 

The exhibition seeks to unearth a raw form of creative energy channeling the essential truth of an artist no pasteurized for public consumption. Unlike artwork created for public or commercial use, the diverse array of works included in DRAWN (OVER) will reveal an authenticity that exists in intimate spaces hidden from the public eye such as an artist’s sketchbook or studio. By focusing on the medium of drawing, the purpose of this exhibition is to showcase not the finished, polished products of traditional art exhibitions but rather the authentic, unfiltered beginning of something recorded through drawing.

Nemanja Radusinović

The concept of the Draw project began with the discovery of several sketchbooks that no one knew existed excavated from the New York studio of the late LeRoy Neiman after the artist’s passing. The stark difference between the drawings covering the pages of a sketchbook from 1949–52 compared to the characteristically jocular and proud imagery of Neiman’s “Americana” is shocking, if not jarring. Neiman himself has publicly asserted that he does not attempt to delve much beyond the surface in his work. “When I paint, I seriously consider the public presence of a person–the surface facade,” he wrote in Art and Life Style. “I am less concerned with how people look when they wake up or how they act at home. A person’s public presence reflects his own efforts at image development.” In these sketchbooks, however, gone are the prismatic and impressionistic illustrations of famous people and places. Instead, we find the murky depths of the realm of demons, mutated monsters and mythical beasts to reveal a completely diverging, hidden side of the famed artist. This discovery begs the question: how many more of these kinds of artist sketchbooks are out there? And, where does the artist go in the absence of outside pressures, expectations and interpretation?

The exhibition DRAWN (OVER) brings together the private sketches and drawings of seventy artists from around the world

To begin to answer this question about the artists’ internal dialogue, artists including Jasper Johns, Kiki Smith, Cecily Brown, William Kentridge, Sarah Sze, and Kara Walker will have their drawings displayed unconventionally as one might find them in a private studio. Works will hang from floor to ceiling in multiple groupings. Though traditional exhibitions have included sketches and studies as secondary accessories of an artist’s work, Draw engages these works as the forefront of the show. In doing so, the exhibition DRAWN (OVER) offers a glimpse into the maker’s process, a microcosm of the artist’s creative mind.

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(PRE)CRTANO PRESS

In addition to works hanging on the walls, this exhibition will include an interactive, live-action mural titled Demonstration Drawings by Rirkrit Tiravanija that will reflect some of the most pressing political topics of our time. Reconsidering the relevance of past resistance in light of today’s political climate, Tiravanija will invite local artists and volunteers to draw onto the walls of the exhibition using photographs collected over the course of many years that depict public protests and mass demonstrations from across the globe. This live drawing will provide a perspectival view of collective action and popular sovereignty movements worldwide—turning ephemeral images of strife and social conflict into documents of political aspiration. In participating in Rirkrit’s work, volunteers become implicated in the concept of activism.

As mentioned before, the exhibition includes the works by Serbian artists: Jelena Đurić, Nataša Kokić, Tijana Luković, Nora Mesaroš, Monika Sigeti, Dragana B.Stevanović, Goran Jureša, Marko Marković, Nikola Marković and Nemanja Radusinović.

Supporting program of exhibition DRAWN (OVER)

MAKE YOUR OWN PAPER LANTERN

THURSDAY, JUNE 21 at 11h

In collaboration with American Corner in Novi Sad, Museum organizes childrens workshop (11-14) “Make Your own Paper Lantern”. The workshop will be held by Angie Langdon, the volunteer from American Corner in Novi Sad. The workshop is held in English.

Limited number of participants: 15

Register at anjelica.langdon@gmail.com

VISIT US

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Back: Božidar Mandić and the Family of Clear Streams https://msuv.org/en/2018/06/13/back-bozidar-mandic-and-the-family-of-clear-streams/ https://msuv.org/en/2018/06/13/back-bozidar-mandic-and-the-family-of-clear-streams/#respond Wed, 13 Jun 2018 09:48:30 +0000 http://msuv.org/2018/06/13/back-bozidar-mandic-and-the-family-of-clear-streams/ BACK … PUBLICATION BACK: BOŽIDAR MANDIĆ AND THE FAMILY OF CLEAR STREAMS Author: Nebojša Milenković Specifications: 156 pages : ilustr. ; 26 cm ISBN 978-86-6333-022-1 CURRENT UPCOMING PAST FollowFollowFollowFollowFollow

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BACK … PUBLICATION

BACK: BOŽIDAR MANDIĆ AND THE FAMILY OF CLEAR STREAMS

Author: Nebojša Milenković

Specifications:

156 pages : ilustr. ; 26 cm

ISBN 978-86-6333-022-1

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Dei Leči – Works: 1957/1965. https://msuv.org/en/2018/06/13/dei-leci-works-1957-1965/ https://msuv.org/en/2018/06/13/dei-leci-works-1957-1965/#respond Wed, 13 Jun 2018 09:43:25 +0000 http://msuv.org/2018/06/13/dei-leci-works-1957-1965/ DEI LEČI PUBLICATION DEI LEČI – WORKS: 1957/1965. Bora Vitorac i Dragoljub Pavlov Made: Slavko Timotijević Specifications: Publisher: The Museum of Contemporary Art Vojvodina, 2015 (Belgrade : Službeni glasnik). 185 pages : fotogr. ; 26 cm Along with the Serbian text and English translation. ISBN 978-86-6333-021-4 CURRENT UPCOMING PAST FollowFollowFollowFollowFollow

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DEI LEČI PUBLICATION

DEI LEČI – WORKS: 1957/1965.

Bora Vitorac i Dragoljub Pavlov

Made: Slavko Timotijević

Specifications:

Publisher: The Museum of Contemporary Art Vojvodina, 2015 (Belgrade : Službeni glasnik).

185 pages : fotogr. ; 26 cm

Along with the Serbian text and English translation.

ISBN 978-86-6333-021-4

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Dobanovački: After 44 Years https://msuv.org/en/2018/06/13/dobanovacki-after-44-years/ https://msuv.org/en/2018/06/13/dobanovacki-after-44-years/#respond Wed, 13 Jun 2018 09:34:43 +0000 http://msuv.org/2018/06/13/dobanovacki-after-44-years/ DOBANOVAČKI PUBLICATION DOBANOVAČKI: AFTER 44 YEARS Editor: Vladimir Mitrović The contents: Biography Branislav Dobanovački: Posters, Illustrations, Icons, Packaging, Book Graphics, Graphic Identities (1971-2004) Irina Subotić: Branislav Dobanovački – An Artist Of Our Time Siniša Vidaković: 9,82m/s2 or the Dobanovački paradigm Zagorka Radović: Forever Poster Catalog of the Works Dvojezični monografski katalog prateća je publikacija retrospektivne […]

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DOBANOVAČKI PUBLICATION

DOBANOVAČKI: AFTER 44 YEARS

Editor: Vladimir Mitrović

The contents:

Biography

Branislav Dobanovački: Posters, Illustrations, Icons, Packaging, Book Graphics, Graphic Identities (1971-2004)

Irina Subotić: Branislav Dobanovački – An Artist Of Our Time

Siniša Vidaković: 9,82m/s2 or the Dobanovački paradigm

Zagorka Radović: Forever Poster

Catalog of the Works

Dvojezični monografski katalog prateća je publikacija retrospektivne izložbe Branislava Dobanovačkog (Novi Sad, 1948) koja je pod nazivom Dobanovački: Posle 44 godine / After 44 Years održana u Muzeju savremene umetnosti Vojvodine u period od 7. do 30. aprila 2016. godine. Publikacija obuhvata širok spektar umetničkog i dizajnerskog delovanja B. Dobanovačkog od plakata, preko ilustracija, znakova, ambalaže, opreme knjiga i LP ploča do primenjene grafike i grafičkih identiteta. Monografski tekst kustosa izložbe Vladimira Mitrovića sadrži sledeća poglavlja: O umetnosti plakata; Plakati u SFRJ, Srbiji i Vojvodini; Novosadska škola kulturnog plakata; Društveni kontekst: socijalizam; Školovanje; O konkursnim uspesima; O tehnikama rada; Rad u ‘’Dnevniku’’; Ilustracije, oprema knjiga, znakovi, ambalaža i primenjena grafika; Muzika kao zadatak i inspiracija; Pozorište kao etičko lečilište; Pedagoški i društveni rad i Samostalne izložbe: prilike za novi pristup. Monografski katalog donosi i tekstove umetnikovih kolega i prijatelja (I. Subotić, S. Vidaković, Z. Radović). Knjiga sadrži 80 kolor reprodukcija plakata i ostalih radova B. Dobanovačkog

Specifications:

Publisher: The Museum of Contemporary Art Vojvodina, Novi Sad, 2014.

Editor: Vladimir Mitrović

(132 pages: ilustr.; 104 str., 21 x 26cm)

ISBN 978-86-6333-028-3

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Nataša Teofilović: D IST AN CE : 1995-2016 https://msuv.org/en/2018/06/13/natasa-teofilovic-d-ist-an-ce-1995-2016/ https://msuv.org/en/2018/06/13/natasa-teofilovic-d-ist-an-ce-1995-2016/#respond Wed, 13 Jun 2018 09:26:07 +0000 http://msuv.org/2018/06/13/natasa-teofilovic-d-ist-an-ce-1995-2016/ D IST AN CE PUBLICATION NATAŠA TEOFILOVIĆ: D IST AN CE: 1995 – 2016. Text: Svetlana Mladenov Specifications: Publisher: The Museum of Contemporary Art Vojvodina 128 pages : ilustr. ; 17 x 23 cm ISBN 978-86-6333-030-6 CURRENT UPCOMING PAST FollowFollowFollowFollowFollow

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D IST AN CE PUBLICATION

NATAŠA TEOFILOVIĆ: D IST AN CE: 1995 – 2016.

Text: Svetlana Mladenov

Specifications:

Publisher: The Museum of Contemporary Art Vojvodina

128 pages : ilustr. ; 17 x 23 cm

ISBN 978-86-6333-030-6

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Performing the Museum. The Reader https://msuv.org/en/2018/06/13/performing-the-museum-the-reader/ https://msuv.org/en/2018/06/13/performing-the-museum-the-reader/#respond Wed, 13 Jun 2018 09:21:39 +0000 http://msuv.org/2018/06/13/performing-the-museum-the-reader/ PERFORMING … PUBLICATION PERFORMING THE MUSEUM. THE READER Editors of the publication: Aleksandra Sekulić i Dušan Grlja Authors: Boris Buden, Jelena Vesić and Vladimir Jerić Vlidi , Aida Sánchez de Serdio Martín, Barbara Steiner and Anna Lena von Helldorff, Oriol Fondevilla, Gordana Nikolić and Sanja Kojić Mladenov, Jasna Jakšić, Mirta Pavić, Ana Kutleša, Branka Benčić, Andreja […]

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PERFORMING … PUBLICATION

PERFORMING THE MUSEUM. THE READER

Editors of the publication: Aleksandra Sekulić i Dušan Grlja

Authors: Boris Buden, Jelena Vesić and Vladimir Jerić Vlidi , Aida Sánchez de Serdio Martín, Barbara Steiner and Anna Lena von Helldorff, Oriol Fondevilla, Gordana Nikolić and Sanja Kojić Mladenov, Jasna Jakšić, Mirta Pavić, Ana Kutleša, Branka Benčić, Andreja Hribernik, Gal Kirn and Niloufar Tajeri

Design:

Metaklinika Studio

The publication Performing the Museum is a continuation of the experiment of the same name initiated by this project, and is actually an agent of reading – a reader of this project. It is just one of a number of possible readers of the current situation at museums, seeking answers to long-standing questions related to the museum’s performance: How do museums perform their public role? How do they relate to the existing cultural, social and political circumstances? How do they perform in terms of public education, public accountability and public access? This reader consists of texts written by invited authors of various backgrounds and critical approaches together with curators from the institutions participating in this experiment, and also presents some of the documentation of various project-related actions – interpreters’ readings of the resources of the museums involved.

The project “Performing the Museum” is realised in cooperation with: Museum of Contemporary Art Vojvodina, Novi Sad, Fundació Antoni Tàpies, Barcelona , Museum of Contemporary Art, Zagreb, Musuem of Modern and Contemproary Art Koroška, Slovenj Gradec.

The project is co-financed by the European Union through the Creative Europe program, the Provincial Secretariat for Culture, Public Information and Relations with Religious Communities and the Ministry of Culture and Information of the Republic of Serbia.

Specifications:

Publisher: The Museum of Contemporary Art Vojvodina

Collection of texts, [202] pages : ilustr; 24 cm

ISBN 978-86-6333-033-7

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