MSUV https://msuv.org/en/ Official site Fri, 30 Sep 2022 07:22:09 +0000 en-US hourly 1 https://wordpress.org/?v=6.0.2 Migrants of Mental Spaces / Migranten mentaler Räume https://msuv.org/en/2022/09/30/migrants-of-mental-spaces-migranten-mentaler-raume/ Fri, 30 Sep 2022 07:09:22 +0000 http://msuv.org/?p=77747 The post Migrants of Mental Spaces / Migranten mentaler Räume appeared first on MSUV.

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MIGRANTS OF MENTAL SPACES… PUBLICATION 

Herausgegeben von / Published by: Museum für zeitgenössische Kunst Vojvodina / Museum of Contemporary Art Vojvodina 21000 Novi Sad, Dunavska 37
office@msuv.org, www.msuv.org

Herausgeber / Executive Publisher: Radovan Jokić

Mitherausgeber / Co-publisher: Goethe-Institut Belgrad / Dr. Matthias Müller-Wieferig

Redakteurin / Editor: Sanja Kojić Mladenov

Texte / Texts: Joseph Beuys, Hannes Böhringer, Sanja Kojić Mladenov, Klaus Rinke, Biljana Tomić

Übersetzung / Translation: Darja Gogoljev, Jelena Kostić Tomović, Maja Matić, Meral Tarar-Tutuš, Jovana Vujić

Korrektur / Proofreading:Predrag Rajić

Grafische Gestaltung / Design: Mirjana Dušić-Lazić, Studio za dizajn Garaža

Fotos / Photographs by: Archiv von Klaus Rinke / Rinke archives: Marko Ercegović, Pierre Courtin, Künstler / artists

Druck / Print: Službeni glasnik, Beograd

Auflage / Print run: 400

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DRAGOLJUB RAŠA TODOSIJEVIĆ – TOMORROW IS MONDAY https://msuv.org/en/2022/09/22/dragoljub-rasa-todosijevic-tomorrow-is-monday-2/ Thu, 22 Sep 2022 08:57:07 +0000 http://msuv.org/?p=77457 The post DRAGOLJUB RAŠA TODOSIJEVIĆ – TOMORROW IS MONDAY appeared first on MSUV.

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TOMORROW IS MONDAY – PUBLICATION

DRAGOLJUB RAŠA TODOSIJEVIĆ – TOMORROW IS MONDAY

Published by: Museum of Contemporary Art Vojvodina,
21000 Novi Sad, Dunavska 37

office@msuv.org

www.msuv.org

Executive Publisher: Branislava Sekulić

Editor: dr Sanja Kojić Mladenov

Texts by:  Miha Colner, dr Sanja Kojić Mladenov, Dragoljub Raša Todosijević

Translation: Srbislav Jeličić (19-31, 37-44)

Proofreading: Ljiljana Maletin Vojvodić

Design: LOT studio, Novi Sad

Photographs by: Ferdinard Neumüller, Fedor Vučemilović, Ulay (Uwe Laysiepen), Marinela Koželj, Dragoljub Raša Todosijević, Dragan Papić, Marko Ercegović, Bojana Janjić, Jovan Jakšić, MSUV, Novi Sad

Print: Sajnos, Novi Sad

Print run: 300

ISBN 978-86-6333-076-4

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DRAGOLJUB RAŠA TODOSIJEVIĆ – TOMORROW IS MONDAY https://msuv.org/en/2022/08/25/dragoljub-rasa-todosijevic-tomorrow-is-monday/ Thu, 25 Aug 2022 09:07:24 +0000 http://msuv.org/?p=77017 The post DRAGOLJUB RAŠA TODOSIJEVIĆ – TOMORROW IS MONDAY appeared first on MSUV.

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Opening

09

Sept 9, 7PM 

The Museum of Contemporary Art Vojvodina

Opening of the exhibition: Friday, Sept 9, 7PM

Duration: Sept 9 – Oct 5 2022.

Curators: Sanja Kojić Mladenov, PhD The exhibition TOMORROW IS MONDAY comprehends a presentation of artworks of the esteemed neo-avant-garde artist Dragoljub Raša Todosijević, who was among the protagonists of an informal group of Belgrade conceptual artists. During the sixties and the seventies, they took a radical turn from the ideology and practice of social modernism, choosing new artistic trends emerging locally and around the world instead. These – at the time – young artists (Marina Abramović, Era Milivojević, Neša Paripović, Zoran Popović, Gergelj Urkom) gathered around the Belgrade Students’ Cultural Center and sought new forms of artistic expression to explore. Among others, these included video-art, performance art, action, and installation, and their common goal was to provoke and re-examine the structure and the functionalities of the current practice, as well as of the social context of the time. TOMORROW IS MONDAY (2022) is Dragoljub Raša Todosijević’s first retrospective exhibition at MSUV and it comes as an opportunity to comprehend the artist’s significant and substantial practice anew, as well as to collect and present works from some of his pivotal series, such as: Diary, Decision as Art, Was Ist Kunst?, Gott Liebt die Serben, and Fluxus Piano. The exhibition centers around the artist’s continuous practice within the domain of socially and politically engaged art, as well as in the field of re-examining standards observed by artistic frameworks, imposed and commonly accepted principles, as criteria that may be subjected to criticism and more recent review.

 © All rights belong to the artist

Avant-garde artistic practice encompasses innovative methods applied by modern art that is directly affecting the development of its social environment. The problems and issues tackled by these artist have – since the seventies – represented the pillars of social and artistic conservatism, traditionalism and nationalism. Todosijević’s work made them all more visible and thus exposed to conscientious critique. The view that the local environment witnessed engaged artistic trends that were evolving simultaneously with innovative and radical artistic practices emerging across the international art scene is substantiated by Dragoljub Raša Todosijević’s work, placing his oeuvre within the wider context of neo-avant-garde art. On one hand, the exhibition prepared by MSUV emphasizes the importance of this artist’s contribution, as well as the international affirmation of the local art scene. On the other, it underlines the crucial role of institutions in terms of how the legacy of contemporary artists is to be preserved and made visible to the general public. In 2011, Raša Todosijević represented Serbia at the 54th Venice Biennale with his exhibition “Light and Darkness of Symbols”, shown at the Serbian Pavilion. This exhibition garnered the international UniCredit Venice Award, marking the first and – so far – the only award won by the Serbian Pavilion at this renowned international event. The exhibition was produced by Novi Sad MSUV, represented by the Commissioner Živko Grozdanić, who was Director of MSUV at the time, and by the Curator and Publication Editor Sanja Kojić Mladenov. After the exhibition was closed and the award was presented, the artist donated one of his monumental installations to the Museum. Thus, the retrospective exhibition of his work in Novi Sad, in addition to being a logical continuation of MSUV’s cooperation with the author, comes as an opportunity to present – among the widest possible selection – some of the works shown in Venice, ten years later. Together with the works from the MSUV collection, the exhibition TOMORROW IS MONDAY will feature works from the collections of the Belgrade Museum of Contemporary Art, Sarajevo Ars Aevi Museum of Contemporary Art, and the “Gradac” Cultural Center in Raška. The exhibition is organized as part of the program “Kaleidoscope of Culture” – Novi Sad, European Capital of Culture 2022. MSUV is patroned by the Provincial Secretariat for Culture, Public Information and Relations with Religious Communities. The exhibition is supported by the Ministry of Culture and Information of the Republic of Serbia and Saša Marčeta Foundation from Belgrade.
The exhibition is organized as part of the program “Kaleidoscope of Culture” – Novi Sad, European Capital of Culture 2022.

BIOGRAPHY:

Dragoljub Raša Todosijević was born in Belgrade, on September 2, 1945. He graduated from the Academy of Fine Arts in Belgrade in 1969. He has since become one of the most active and internationally recognized artists from Serbia. Among other museums, his works have been acquired by the London Tate Modern, Paris The Centre Pompidou, Stockholm Moderna Museet, Kumamoto Contemporary Art Museum, etc. In addition to the 54th Biennale Venice award (2011), Todosijević received the IASPIS Residential Award of the Moderna Museet (Stockholm, 2001), ArtsLink Award (New York, 2004), Emily Harvey Foundation Award – recognizing artist related to the Fluxus movement (New York, 2006). Todosijević was awarded the Lifetime Achievement Award at the 50th October Salon (Belgrade, 2009), as well as Politika Award, together with Marija Dragojlović (Belgrade, 2009), The City of Belgrade Award (2003), Nadežda Petrović Memorial Award (Čačak, 1998), Sava Šumanović Award (Novi Sad, 2008), etc. Raša Todosijević lives and works in Belgrade as a freelance artist.

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LINKS:

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Website: https://www.msuv.org/
FB: https://www.facebook.com/MsuvNoviSad/

@MSUVNoviSad @NoviSad2022 @kaleidoskop.novisad
IG: @msuv_novisad @novisad_2022 @kaleidoskopkulture

#MSUV #DragoljubRasaTodosijevic #NoviSad #NS #EvropskaPrestonicaKulture #NoviSad2022 #NoviSadEPK #EPK #EPK2022 #EuropeanCapitalOfCulture #ECoC #ECoC2022 #Kaleidoskop #KaleidoskopKulture #KaleidoscopeOfCulture #VisitNoviSad

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FEMINIST AVANT-GARDE OF THE 1970s. Works from the VERBUND COLLECTION, Vienna https://msuv.org/en/2022/06/01/feminist-avant-garde-of-the-1970s-works-from-the-verbund-collection-vienna/ Wed, 01 Jun 2022 10:57:32 +0000 http://msuv.org/?p=76087 The post FEMINIST AVANT-GARDE OF THE 1970s. Works from the VERBUND COLLECTION, Vienna appeared first on MSUV.

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FEMINIST AVANT-GARDE OF THE 1970s – PUBLICATION

ON THE ROAD TO FREEDON – PUBLICATION

FEMINIST AVANT-GARDE OF THE 1970s. Works from the VERBUND COLLECTION, Vienna

ON THE ROAD TO FREEDON MSUV

19th May – 21st June 2022

 

Published by: Museum of Contemporary Art Vojvodina

office@msuv.org

www.msuv.org

Executive Publisher: Branislava Sekulic

Editors: Dr Gabriele Schor, Dr Sanja Kojić Mladenov

Texts by:  Dr Gabriele Schor, Dr Sanja Kojić Mladenov

Artists’ Biographies by: Christina Kastner, Theresa Dann, VERBUND COLLECTION, Vienna;

Image Editor: Mara Metzmacher, VERBUND COLLECTION, Vienna

Translation: Darja Gogoljev Snežana Ciganović

Proofreading: Ljiljana Maletin Vojvodić

Design: Mirjana Dušić

Photographs by: VERBUND COLLECTION, Vienna, Marko Ercegović, MSUV, Novi Sad

Print: Sajnos, Novi Sad

Print run: 300

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FEMINIST AVANT-GARDE OF THE 1970s. Works from the VERBUND COLLECTION, Vienna https://msuv.org/en/2022/05/06/feminist-avant-guard-of-the-1970s/ Fri, 06 May 2022 17:02:33 +0000 http://msuv.org/?p=75487 The post FEMINIST AVANT-GARDE OF THE 1970s. Works from the VERBUND COLLECTION, Vienna appeared first on MSUV.

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Opening

19

19th May at 8 p.m. 

FEMINIST AVANT-GUARD OF THE 1970s

WORKS FROM THE VERBUND COLLECTION, VIENNA

ON THE ROAD TO FREEDOM

WORKS FROM THE COLLECTION OF THE MUSEUM OF CONTEMPORARY ART VOJVODINA, NOVI SAD

 

Muzej savremene umetnosti Vojvodine (Museum of Contemporary Art Vojvodina)

Dunavska 37, Novi Sad

Duration: 19th May – 21nd June 2022

Curator of the exhibition FEMINIST AVANT-GUARD OF THE 1970s

WORKS FROM THE VERBUND COLLECTION, VIENNA  

Gabriele Schor, PhD, VERBUND COLLECTION, Vienna

 

Curator of the exhibition ON THE ROAD TO FREEDOM

WORKS FROM THE COLLECTION OF THE MUSEUM OF CONTEMPORARY ART VOJVODINA, NOVI SAD

Sanja Kojić Mladenov, PhD, MSUV, Novi Sad

 

Project partners: Museum of Contemporary Art Vojvodina, VERBUND COLLECTION, Vienna, Cultural Forum from Belgrade, The Foundation Novi Sad – European Capital of Culture 2022

FEMINIST AVANT-GUARD is an international group exhibition that includes works by 78 international women artists from the VERBUND collection, of which a special selection will be made for the exhibition in Novi Sad, with a special segment of works by artists from the MSUV collection. Among the artists presented in the VERBUND COLLECTION are: Judy Chicago, VALIE EXPORT, Sanja Iveković, Katalin Ladik, Cindy Sherman, Birgit Jürgenssen and others. Historically, women have been portrayed as a projection of male fantasies, prejudices and relationships. However, in the 1970s, there was a change in the way women were presented in art. Women artists started to explore visual representations of their own beings in order to create alternative views on the female identity. Gabriele Schor, as the director of the collection and editor of the accompanying monograph, has researched the feminist avant-garde to highlight the role which these artists have played in the last four decades. The results are radical, poetic, ironic, angry, cynical and cordial. Most of all, they are sincere, sharing a collective consciousness that has re-examined and rejected what previously dominated, turning to new ways of expression in the fields of photography, performance, film and video. The exhibition and the book highlight the achievements of women artists who encouraged and inspired those who developed on the experiences of their predecessors.

Arists:

Sonia Andrade | Judith Bernstein | Renate Bertlmann | Teresa Burga | Judy Chicago | Veronika Dreier | Orshi Drozdik | Mary Beth Edelson | Renate Eisenegger | VALIE EXPORT | Gerda Fassel | Barbara Hammer | Margaret Harrison | Sanja Ivekovic | Anne Marie Jehle | Birgit Jürgenssen | Anna Kutera | Auguste Kronheim | Ketty La Rocca | Katalin Ladik | Brigitte Lang | Suzy Lake | Karin Mack | Anita Münz | Florentina Pakosta | Howardena Pindell | Ingeborg G Pluhar | Lotte Profohs | Ulrike Rosenbach | Martha Rosler | Victoria Santa Cruz | Lydia Schouten | Cindy Sherman | Annegret Soltau | Anita Steckel | Gabriele Stötzer | Betty Tompkins | Francesca Woodman

The exhibition of the VERBUND COLLECTION in Novi Sad will be expanded by addition of the exhibition of art works from the MSUV collection, i.e. the exhibition of artists from the geopolitical space of Serbia whose artistic practice transcends the traditional media and gender positions and operates in the international cultural space. The selected works, coming from women artists such as: Katalin Ladik, Milica Mrđa, Tanja Ostojić, Vesna Perunović, Bogdanka Poznanović, Jelena Radić, Judita Šalgo, Vesna Tokin and Milica Tomić, analyse the position of personal identity in contemporary art practice and society, explore the processes of performativity, immateriality, as well as the transgression of borders, and explore the idea of breaking through formal, media and spatial frameworks.

Artists:

KATALIN LADIK, MILICA MRĐA, TANJA OSTOJIĆ, VESNA PERUNOVIĆ, BOGDANKA POZNANOVIĆ, JELENA RADIĆ, JUDITA ŠALGO, VESNA TOKIN I MILICA TOMIĆ

MoCAV Patronage is Provincial Secretariat for Culture, Public Information and Relations with Religious Communities. Exhibition supported by the Ministry of Culture and Information of the Republic of Serbia and Novi Sad City Council – Culture Department,  Instituto Italiano di Cultura, Goethe-Institut in Belgrade and Delegation of the European Union to the Republic of Serbia.

The general sponsor is company dm drogerie markt Serbia

 

Cover photos

© Renate Eisenegger / SAMMLUNG VERBUND, Vienna

© Milica Tomić / MSUV, photo: Srđan Veljović

 

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Krsto Andrijašević: Human, in a Peculiar Way https://msuv.org/en/2022/03/07/krsto-andrijasevic-human-in-a-peculiar-way/ Mon, 07 Mar 2022 12:22:44 +0000 http://msuv.org/?p=74477 The post Krsto Andrijašević: Human, in a Peculiar Way appeared first on MSUV.

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Krsto Andrijašević: Čovjek, na čudan način / Human, in a Peculiar Way PUBLICATION

Krsto Andrijašević: Human, in a Peculiar Way

Specifications:

Published by: Muzej savremene umetnosti Vojvodine, Novi Sad and Narodni muzej Crne Gore, Cetinje, 2021.

Editors: mr Suzana Vuksanović, Ljiljana Karadžić

Texts: dr Anastazija Miranović, Ljiljana Karadžić, Suzana Vuksanović

Translation: Žarko Cvejić

Proof reading: Avakum Kvas

Design: Mirjana Dušić

Photographs by: Lazar Pejović, Duško Miljanić

Print: SP print, Novi Sad

Print run: 300

104 str. : ilustr. ; 21×26 cm
ISBN 978-86-6333-070-2
COBISS.SR-ID 43419401

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UNSTABLE PRACTICES (Media Ontology) https://msuv.org/en/2022/02/02/unstable-practices-media-ontology%ef%bf%bc%ef%bf%bc/ Wed, 02 Feb 2022 10:04:28 +0000 http://msuv.org/?p=74057 The post UNSTABLE PRACTICES (Media Ontology) appeared first on MSUV.

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Opening

21 

January 2022. 

UNSTABLE PRACTICES

(Media Ontology)

Generating unstable and emancipatory artistic research in Novi Sad

Kaunas Photography Gallery, Kaunas, Lithuania

Duration: 22. January – 27. February 2022. 

Production: Stanislav Drča

Architect: Donatas Stankevičius

Content and works are taken from exhibitions produced and curated by the Museum of Contemporary Art Vojvodina and New Media Center_kuda.org, Novi Sad. Apsolutno, Studio Archive DT20, New Media Center_kuda.org, Aleksandar Davić, Doplgenger, Čedomir Drča, Slobodan Tišma, Group  KÔD & friends, Vladan Joler, Katalin Ladik, Božidar Mandić, Novi Sad City Commune, Bogdanka Poznanović, Judita Šalgo, Predrag Šiđanin, Dragan Vojvodić.

Exhibition © All rights belong to the artist.

The exhibition presents examples of unstable and emancipatory art practices in Novi Sad, from neo avant-garde to contemporary, media and postmedia art. Its starting point are the results of the project “Trajni čas umetnosti”(“Eternal Art Time”), by the New Media Center_kuda.org, aimed at mapping social and artistic history of Novi Sad, presenting a network of protagonists and references, artistic, social and political theories and practices, which influenced the Novi Sad neo avant-garde scene of the 60s and 70s.

The exhibition is a part of Kaunas ECoC 2022 and Novi Sad ECoC 2022 programmes.

Three years ago Videomedia launched a new Lunartis project, through which will be presentedthe most talented students of the 11 most prestigious film academies and faculties around the world. This year’s competition program will include three selections – Screenings, Media installations / Liveand Lunartis. Lunartis films compete for two awards, the Lunartis Prizefor the best Film awarded by the Jury and the Lunartis Audience Award for the best Film awarded by counting audience votes.In the Screenings competition will be presented 55 works, which will compete for the Sphinxaward, while 9 media installations will be featured in the Media Installation / Live, among which will be awarded the Bogdanka Poznanović Award. On Sunday, September 24th, the three-member International Jury will announce the winners of the festival, after which the audience will have the opportunity to seethe awarded works.
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Avant-garde processes, as initiators of artistic experiment, innovation, progressiveness, engagement and freedom of artistic expression, marked the artistic and social history of Novi Sad. This raises the question of preserving values in the local environment, its visibility and connection with similar, important activities in regional and international cultural space, as well as their connection to contemporary media and post-media practices.

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EVROVIZION.CROSSING STORIES AND SPACES https://msuv.org/en/2021/11/17/evrovizion-crossing-stories-and-spaces-2/ Wed, 17 Nov 2021 14:46:19 +0000 http://msuv.org/?p=73057 Museum of Contemporary Art Vojvodina: Galerije N&S
Opening: 26th November 2021 at 07.00PM with Ivana Ivković performance
Duration: 26th November 2021 to 27th February 2022
Curators:
Sanja Kojić Mladenov, Sabina Klemm

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Opening

26

November 2021 at 7PM

Galleries N&S: The Museum of Contemporary Art Vojvodina

Opening of the exhibition: 26th November 2021 at 07.00PM with Ivana Ivković performance

Duration: 26th November 2021 to 27th February 2022

Curators:
Sanja Kojić Mladenov, Sabina Klemm

Artists:
Nevin Aladağ, Igor Bošnjak, Vajiko Chachkhiani, Lana Čmajčanin, Johanna Diehl, Petrit Halilaj, Ivana Ivković, Janine Jembere, Vladimir Miladinović, Henrike Naumann, Emilija Škarnulytė, Selma Selman, Slavs and Tatars, Adnan Softić

Project partners: Museum of Contemporary Art Vojvodina, Novi Sad; ifa (Institut für Auslandsbeziehungen), Stuttgart and Goethe-Institute in Serbia, Belgrade

Guided tour of the exhibition: 27th November 2021 at 12.00

Participants: Sanja Kojić Mladenov, Igor Bošnjak, Vajiko Chachkhiani, Lana Čmajčanin, Ivana Ivković, Vladimir Miladinović, Adnan Softić

 © All rights belong to the artist

The co-creative exhibition EVROVIZION.CROSSING STORIES AND SPACES by ifa (Instutut für Auslandsbeziehungen) explores the current social and political situation in Europe and the idea of a European identity. The focus is on less visible and marginalised geopolitical and cultural spaces, in particular in southeast and eastern Europe. These are so-called semiperipheries and places of diversity that often play only a minor role in many international theoretical discourses and exhibition practices.

Artists from each of the 12 stations will join and continue the tour together with the others and thus change the space within the exhibition, open new topics and ask new questions for reflection, all the way to the last stations in Berlin where, through all these processes and changes, perhaps a different Europe from the usual one will be presented.

The goal of the exhibition is pointing out the current socio-political orders and illuminating the specific impulses of certain places, in order to generate a continuous development of space for dialogue. The exhibition title EVROVIZION is a construct made of similar and yet still different languages – Eurovisione / Evrovizija / Евровизия – a fusion of potential unities; a free version of potential togetherness.

The co-creative exhibition EVROVIZION.CROSSING STORIES AND SPACES by ifa (Instutut für Auslandsbeziehungen) explores the current social and political situation in Europe and the idea of a European identity

The artists and art collectives participating in the exhibition explore very different current socio-political issues in their works: the question of origin, personal and collective identity, history and mythology, the politics of memory and archiving, a critical view of neoliberalism, colonialism and nationalism, ruling stereotypes and the positions of the other and the different in relation to the socially dominant.

The exhibition also includes a traveling library, available to all visitors to the exhibition, a web presentation of the project and the MAGAZINE PRE-ISSUE which contains initial information about the project. Also, in each city of the presentation, a new issue of the magazine will be conceived, including EUROVISION.CROSSING NOVI SAD – realized with local partners and through the coverage of all additional contents and events of the project in Novi Sad. Eventually, a collection of different magazines is expected, as a specific “travel archive”.

During the presentation of the exhibition, November 26th 2021 – February 27th 2022, several accompanying programs will be held in Novi Sad, while in February 2022, an exhibition by the artist Henrika Nauman will be realized at the gallery of the Goethe-Institute Exchange Office in Belgrade.

EVROVIZION.CROSSING STORIES AND SPACES is an exhibition by ifa (Institut für Auslandsbeziehungen) and is organized in Novi Sad in cooperation with the Museum of Contemporary Art Vojvodina and the Goethe-Institut Serbia. The exhibition is part of the Novi Sad – European Capital of Culture program.

The Institute for International Relations in Culture from Germany, ifa (Institut für Auslandsbeziehungen), conceives, promotes and realizes exhibitions on fine arts, design and architecture around the world; from Bauhaus history to contemporary art practice and contemporary photography. This artistic and cultural exchange is initiated by the ifa art department with its programs at the gallery in Stuttgart and the gallery in Berlin, its traveling exhibitions, its support of artists, exhibition funding, as well as programs for biennials and conferences. Ifa organisation is the oldest German intermediary organization for international relations in culture, supported by the Federal Ministry of Foreign Affairs of the Federal Republic of Germany, the state of Baden-Württemberg and its capital Stuttgart. https://www.ifa.de/en/

Exhibition stations:

Sarajevo / BA, Novi Sad / RS, Nicosia / CY, Athens / GR, Varna / BG, Tbilisi / GE, Chisinau / MD, Brussels / BE, Krakow / PL, Kaliningrad / RU, Vilnius / LT, Berlin / DE

 

Web addresses

http://msuv.org/

https://www.facebook.com/MsuvNoviSad/

https://www.instagram.com/msuv_novisad/

https://www.facebook.com/GoetheInstitutBelgrad

https://www.instagram.com/goetheinstitut_belgrad/

https://www.facebook.com/ifa.visualarts/

https://www.instagram.com/ifa.visualarts/

Project website:
https://evrovizion.ifa.de/en

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PLATEAU RESIDUE: Sub Persona II https://msuv.org/en/2021/09/06/plateau-residue-sub-persona-ii-2/ Mon, 06 Sep 2021 13:20:52 +0000 http://msuv.org/?p=71577 The post PLATEAU RESIDUE: Sub Persona II appeared first on MSUV.

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Opening

September 2021.

Kino Room: The Museum of Contemporary Art Vojvodina

Duration: Tuesday, September 7th 2021, 8.00 – 10.00PM

The Centre for Intermedia and Digital Art of the Museum of Contemporary Art Vojvodina, during the opening of the central exhibition of the Danube Dialogues Festival, SOCIETY AND ART IN A FORCED REALITY, which is part of the Novi Sad Garden of Ars Electronica festival, organizes a POP-UP video presentation of the Slovenian art duo PLATEAU RESIDUE, consisting of Eva Pavlič Seifert and Aljaž Celarc. The presentation will be shown at the Kino Room of MSUV, followed by music created for the project by Domen Učakar under the creative name LIFECUTTER.

PLATEAURESIDUE. SUB PERSONA © All rights belong to the artist.

Sub Persona is a project that explores the importance and ethics of human forest management. It emphasizes the shared responsibility of all people to use modern methods to examine the intertwining of forest ecosystems and to develop sustainable management methods that take into account the simultaneous ecosystem, economic, recreational, and cultural functions of the forest that people too often take for granted. This project encourages reflection on human attitudes towards the environment and its changes in the contemporary world through sensory perception.

The event is realized in cooperation with MMC KIBLA from Maribor and the contemporary art festival Danube Dialogues.

P L A T E AU R E S I D U E is an imaginary identity of the artistic duo Aljaž Celarc (graduate geographer [Faculty of Arts] and master of photography [AKV St. Joost, NL]) and Eva Pavlič Seifert (graduate art historian [Faculty of Arts] and MA in Visual Culture [Aalto University, FI]). Their works deal with landscape ecology and new media and are looking for new ways to raise public awareness. The starting point of their artistic production is video installations. In their video works, they apply voice to project participants and collaborators, natural forms such as rocks, air, organisms, and other sets of substances, which they reorganize into new material forms and new media systems. They presented their works in most major art institutions in Slovenia. For their work in 2019, they received the Tesla Award of the Museum of Transitional Arts MoTA and participated in exhibitions abroad. Eva and Aljaž have been living and working in Novi Kot since 2019, in the hinterland of the forests of Gorski Kotar and Snežnik, where they designed the Hiša Mandrova/Mandrova House project in 2020. They are dedicated to creating, regenerative self-sufficiency, manual woodworking, and reviving the area’s building heritage in question.

 

https://www.plateauresidue.com/sub-persona

http://www.kibla.org/en/sections/kibela-space-for-art/archive/kibela-arhiv/2021/p-l-a-t-e-au-r-e-s-i-d-u-e-sub-persona-ii/

Lifecutter: Sub Persona

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Zoran Janjetov: Antibody https://msuv.org/en/2021/07/27/zoran-janjetov-antibody/ Tue, 27 Jul 2021 09:22:13 +0000 http://msuv.org/?p=70645 The post Zoran Janjetov: Antibody appeared first on MSUV.

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Zoran Janjetov: Antibody … PUBLICATION

Zoran Janjetov: Antibody

Works 1979-2021

Published by: Museum of Contemporary Art Vojvodina 21000 Novi Sad, Dunavska 37

Executive Publisher: Branislava Sekulić

Editor: Vladimir Mitrović

Texts by: Vladimir Mitrović, Alejandro Jodorowsky, Ilija Bakić, Momčilo Rajin, Zoran Đukanović, Zoran Stefanović

Translation: Nikolina Nedeljkov, Ivana Krgović

Proof reading: Silvija Čamber

Design: Zoran Janjetov, Mirjana Dušić

Print: SP print, Novi Sad

Print run: 300

ISBN 978-86-6333-069-6

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